The Inker’s Shadow

A series of memories from this Caldecott Medalist’s life begins in Japan and moves between the two cultures of which he is part. The revealing narration is interwoven with photographs, cartoons, sketches and more. Slightly older, more sophisticated readers may enjoy Say’s slightly fictionalized autobiography, Ink-Keeper’s Apprentice.

This remarkable story is based on the life of Billy Wong, a Chinese-American who travels to Europe, becomes fascinated with bullfighting, and decides to become a matador. Eventually, Billy’s determination and recognition of what makes him unique helps him realize his dream. Luminous watercolors illustrate this sensitive picture book biography.

Say narrates the saga of his grandfather who as a young man travels to the United States in the early 20th century, marries, and returns to Japan. Watercolor portraits of people and places glimpse the contrast of cultures and parallel the lives of grandfather and grandson. It could lead to a discovery of family histories. Country of origin: Japan

An elderly kamishibai man travels the route on which he once told stories using his paper theater. Though the city is now crowded and noisy, the children — now grown — remember and stop once more. A note about kamishibai and stunning illustrations create broad reader appeal.

James Castle was born deaf and mute in 1899 on a farm in Idaho. The story of this child who grew up to become an artist is told in his nephew’s voice and illustrated in dark-hued illustrations that evoke not only the artist’s work but also his difficult life. Allen Say’s appreciation of this artist and his work is sophisticated and memorable, presenting a unique and truly original artist.

When a new teacher mispronounced Yuriko’s name and kids laugh at the picture Yuriko shared in her kimono, Yuriko wants to change her name. Her father handles her unhappiness calmly and wisely. The story is autobiographical, incorporating a photograph of the real Yuriko as a young child and as a lovely young adult in a kimono.

The narrator recalls his first Christmas in Japan and why his mother decorated a tree with a thousand paper cranes as she relives her holidays in California. Based on a family story, Say’s illustrations evoke a holiday in two cultures.