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Welcome to Tía Lola’s bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois’ grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn’t as easy they had initially thought — especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who’s behind the plot to make their B & B fail?

Miguel Guzman isn’t exactly looking forward to the summer now that his mother has agreed to let the Sword family — a father, his three daughters, and their dog — live with them while they decide whether or not to move to Vermont. Little does Miguel know his aunt has something up her sleeve that just may make this the best summer ever. With her usual flair, Tía Lola decides to start a summer camp, complete with magical swords, nighttime treasure hunts, campfires, barbecues, and an end-of-summer surprise!

“Just as warm and upbeat as How Tía Lola Came to (Visit) Stay (2001), the second book about Miguel and Juanita’s aunt, who comes from the Dominican Republic to live with the kids’ family in Vermont, is written in the same lively, playful style. Language is a central focus as Tía Lola volunteers to teach Spanish in the local elementary school. The story builds to a tense climax when her visa is about to expire, and the whole town rallies for her to stay. Readers will enjoy both the messages and the humor in Tía’s wry, wise sayings.” — Booklist

“Drawing on his own experience as a child refugee from Cuba, Flores-Galbis offers a gripping historical novel about children who were evacuated from Cuba to the U.S. during Operation Pedro Pan in 1961. Julian, a young Cuban boy, experiences the violent revolution and watches mobs throw out his family’s furniture and move into their home. For his safety, his parents send him to a refugee camp in Miami, but life there is no sweet haven…(T)his is a seldom-told refugee story that will move readers.” — Booklist

Another fictionalized account which brings to life westward expansion. As with …California Gold Rush, fact is made distinct from fiction.

A fictionalized journal of a prospector brings the Gold Rush to life for readers. Fact and fiction are clearly differentiated while enlivening the history.

Product Description: For María Isabel Salazar López, the hardest thing about being the new girl in school is that the teacher doesn’t call her by her real name. “We already have two Marías in this class,” says her teacher. “Why don’t we call you Mary instead?” But María Isabel has been named for her Papá’s mother and for Chabela, her beloved Puerto Rican grandmother. Can she find a way to make her teacher see that if she loses her name, she’s lost the most important part of herself?

Product Description: The yellow dress Erandi wants for her birthday will look beautiful with her long, thick braids. But Mama’s fishing net is full of holes, and there isn’t enough money to buy both a new net and a birthday dress. The only solution lies with the hair buyers from the city. But Mama’s hair isn’t nearly as beautiful as Erandi’s. Will Erandi have to choose between her birthday present and her braids? This touching tale of love and sacrifice is sprinkled throughout with Spanish words and expressions.

Far on the other side of the mountains, next to an enchanted castle, grows a tree with three golden oranges. It is there that three brothers must journey if they wish to find a wife. Will the brothers be able to avert misfortune by working together? Will they be strong enough to break the spell that a wicked sorcerer has placed on the castle? Alma Flor Ada offers this poetic retelling of a well-loved traditional story about Blancaflor, a mythical young woman who appears in stories throughout the Hispanic world.

Juanito is miserable — his family has just moved to New York, and because he only speaks Spanish, he has no one to talk to. What’s more, his dog, Pepito, is lost! Juanito knows that most of his neighbors won’t understand “Mi perro se ha perdido,” so he asks a man at the bank to help him make a sign in English. Suddenly, people all over the city want to help Juanito find Pepito…and the search is on!

As she strolls through her barrio, a young girl introduces readers to the frozen, fruit-flavored treat that thrills Mexican and Mexican-American children. Create a masterpiece, make tough choices (strawberry or coconut?), or cool off on a warm summer’s day — there’s so much to do with a paleta!

“Abuelita’s hair is the color of salt. Her face is as crinkled as a dried chile. She booms out words as wild as blossoms blooming. She stuffs her carcacha — her jalopy — with all the things she needs: a plumed snake, a castle, a skeleton, and more. Her grandson knows he has the most amazing grandmother ever — with a very important job. What does Abuelita do? Readers will enjoying guessing in this story sprinkled with Spanish and infused with love.” — Amazon Review

For a bilingual girl and her mamá , a loving bond is about being together…and independent. Arthur Dorros’s skillful and subtle blend of English and Spanish narrative, illustrated with bold, striking paintings by award-winning artist Rudy Gutierrez, offers readers a poignant reminder that every day with Mamá is sweet.

Do you know why a weather vane has a little rooster on the top, spinning around to tell us which way the wind is blowing? Here is the answer in this old story about Half-Chicken, who has one eye, one leg, and one wing. His adventures take him far and wide until he’s carried straight to the top, in this lively retelling — in Spanish and English — of a traditional folktale.

Young children will treasure this collection of Latin American nursery rhymes. Preserved through oral tradition, these rhymes have been passed on from generation to generation. They have been lovingly gathered and translated for this book and many are accompanied by instructions for finger play.

Luis loves to read, but soon his house in Colombia is so full of books there’s barely room for the family. What to do? Then he comes up with the perfect solution — a traveling library! He buys two donkeys — Alfa and Beto — and travels with them throughout the land, bringing books and reading to the children in faraway villages.

“Nine-year-old América Soliz is an undocumented immigrant of Mexican-Indian heritage living in the violence-ravaged Pilsen barrio of Chicago. Feeling unwelcome in her new country, she yearns to return to her native Oaxaca. Then one day, a Puerto Rican poet visits America’s ESL class and tells the students that ‘There’s poetry in everyone…and poets belong to the whole world.’ Soon, America begins to express herself through poetry, eventually coming to realize that as a poet, she is a citizen of the world with a bright future ahead of her.” — School Library Journal

Product Description: “Let me help! Let me help!” Perico learns this phrase from little Martita, who’s been saying it a lot lately. When the whole family scrambles to prepare for Cinco de Mayo, Perico knows there must be some way he can help — even if he is just a parrot. But at every turn Perico is shooed away, until he finally figures out how he can add to the Cinco de Mayo fun.

Señor Calvera is back! This time, he is looking forward to Grandma Beetle’s birthday party — but he can’t figure out what gift to give her. He consults with Zelmiro the Ghost and chooses one gift for every letter of the alphabet: acordéon, bigotes, cosquillas (accordian, moustaches, and tickles). It isn’t until he reaches the letter Z, however, that Señor Calvera finds the best gift of all for Grandma Beetle.

Grouch, Grump, and two-headed little Gloom ‘n’ Doom — three crabby monsters — tried to create the “biggest, baddest monster EVER!” When the huge monster comes alive his first words are “Dank you!” causing the cantankerous little monsters to succumb to his kind ways. Cartoon line and wash illustrations and understated text present a pleasing monster saga.

Madcap illustrations bring hilarious new life to the 1962 song, “Monster Mash.” It all begins with a bulbous scientist “working in the lab late one night” when his monster arose from his slab and begins to dance the monster mash. Other monsters — and finally two human children — join the green Frankenstein-like critter for colorful, frenzied fun.

On Halloween night, children dress up in costumes to go trick or treating. Young children will enjoy guessing what outfit the child is donning, beginning with a rhyming clue which is solved with a turn of the page. Cozy illustrations are just right for this not-very-scary Halloween tale, sure to engage younger children.

A trick-or-treater leaves the city for a forest of bones and a deliciously creepy Halloween adventure. No number of skeletons can scare this child who shakes his own bones and is rewarded after he chants, “Trick or treat! Smell my feet! Give me something good to eat!” Lively illustration adds detail to the rhythmic text, ideal for reading aloud.

This silly-spooky parody of Ludwig Bemelman’s Madeline (opens in a new window) emulates the original’s cadence, storyline and illustration but with a decidedly Halloween-y twist. It begins, “In a creepy old castle/all covered in spines/lived twelve ugly monsters in two crooked lines… The ugliest one was Frankenstein.” It is sure to amuse even those not familiar with the original.