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“The Hispanic neighborhood in Soto’s 21 poems is brought sharply into focus by the care with which he records images of everyday life: the music of an ice cream vendor’s truck, the top of a refrigerator where old bread lies in plastic, dust released into the air when a boy strums a guitar…Diaz’s woodcuts complement the poems perfectly: the silhouettes are fanciful and dynamic but do not draw attention from the words on the page.” — Publishers Weekly

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