Stories and Voices of Contemporary Native Americans

Jenna wants to dance in the powwow as her grandmother and other women in her family have. But she wonders: will she have enough jingles to make her dress sing? Traditional and contemporary activities come together in this appealing, clearly illustrated story of a modern girl and her background, based on the author’s Muscogee (Creek) heritage.

A child narrates how a much loved cat, Woogie, brings good luck to her family. When Woogie is lost, its luck may have run out — but the resolution is luckily both satisfying and happy. Richly hued illustrations add authentic details to a universally appealing story set within a Native American family and told by a Muskogee-Creek writer.

Julie-Ann is a Gwichya Gwich’in from Tsiigehtchic in the Northwest Territories. She is a Canadian Ranger, a mother of twin daughters, a hunter, a trapper, and a student. Julie-Ann shares her family’s story and the story of her land, observing, “The land has a story to tell, if you know how to listen.” A glossary of Gwichya Gwich’in words is provided. (The Land Is Our Storybook)

Shi-shi-etko has just four days until she will have to leave her family and everything she knows to attend one of Canada’s Indian residential schools. She spends her last precious days at home treasuring and appreciating the beauty of her world — the dancing sunlight, the tall grass, each shiny rock, the tadpoles in the creek, her grandfather’s paddle song. LaFave’s richly hued illustrations complement Campbell’s gently moving and poetic account of a child who finds solace around her, even though she is on the verge of great loss.

When they arrive at school, Shi-shi-etko reminds Shinchi, her six-year-old brother, that they can only use their English names and that they can’t speak to each other. For Shinchi, life becomes an endless cycle of church mass, school, and work, punctuated by skimpy meals. He finds solace at the river, clutching a tiny cedar canoe, a gift from his father, and dreaming of the day when the salmon return to the river — a sign that it’s almost time to return home.

“My grandparents’ grandparents walked beside the same stream where I walk with my brother, and we can see what they saw.” Today when a Lenape Indian girl ventures to the stream to fish for shad, she knows that another girl did the same generations before. Told through the cycle of seasons by Traditional Sister and Contemporary Sister, this is a book about tradition and about change. Includes an afterword about the culture and history of the Lenni Lenape (formerly known as the Delaware Indians).

What is fry bread? It’s food, shape, sound, art, history, and more — so much more. It is an American Indian tradition shared by a member of the Mekusukey Seminoles. A varied group of children and elders are depicted contributing to the recipe as the text describes its complex role in American history. Additional information is appended to create a book that can be used in both simple and complex ways.

Join the Cherokee people as they celebrate each season of the year and special occasions, as well as the daily activities for which gratitude is expressed. Bold hues and flat forms distinguish the naïve illustrations. Cherokee words, based on Sequoyah’s syllabary (written symbols for syllables), are sprinkled throughout. Additional information concludes this handsome and unique glimpse of contemporary Native life written by a Cherokee poet.

When Uncle and Windy Girl and Itchy Boy attend a powwow, Windy watches the dancers in their jingle dresses and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Now Uncle’s stories inspire other visions in her head: a bowwow powwow, where all the dancers are dogs. This playful story is accompanied by a companion retelling in Ojibwe.

Using a class activity as a framework, the history of Indigenous people in the United States is presented. Each “presentation” concludes with a resounding “We are still here” despite the difficult history. Simple but bold illustrations and extensive backmatter conclude this important introduction to an often-forgotten part of American history.

Cut-paper collage and poetry bring young readers inside a contemporary Native American community while offering a thoughtful look at powwows and their meanings to the Native participants.

Short stories by well and lesser-known Indigenous writers present a range of tales about contemporary young people from different tribes and regions at a Michigan powwow. They range from humorous to serious, but each provides a glimpse at the power of community support. Created in partnership with We Need Diverse Books (opens in a new window).

What do Indian shoes look like, anyway? Like beautiful beaded moccasins… or hightops with bright orange shoelaces? Ray Halfmoon, a young Cherokee-Seminole boy living in Chicago with his grandpa, prefers hightops, but he gladly trades them for a nice pair of moccasins for his grandpa. After all, it’s Grampa Halfmoon who’s always there to help Ray get in and out of scrapes and share a laugh. 

A grandmother introduces her granddaughter to indigenous traditions while berry-picking: they sing to not only alert bear of their presence but to thank the land for its gifts. Rhythmic language and lush illustrations are hallmarks of this first book written and illustrated by the Caldecott Medalist and Tlingit illustrator Michaela Goade (We Are Water Protectors (opens in a new window)).

In this uplifting, contemporary Native American story, River is recovering from illness and can’t dance at the powwow this year. Will she ever dance again? Follow River’s journey from feeling isolated after an illness to learning the healing power of community. Additional information explains the history and functions of powwows, which are commonplace across the United States and Canada and are open to both Native Americans and non-Native visitors. 

Mary Golda Ross designed classified airplanes and spacecraft as Lockheed Aircraft Corporation’s first female engineer. Find out how her passion for math and the Cherokee values she was raised with shaped her life and work. Cherokee author Traci Sorell and Métis illustrator Natasha Donovan trace Ross’s journey from being the only girl in a high school math class to becoming a teacher to pursuing an engineering degree, joining the top-secret Skunk Works division of Lockheed, and being a mentor for Native Americans and young women interested in engineering. The narrative highlights Cherokee values including education, working cooperatively, remaining humble, and helping ensure equal opportunity and education for all.

“I can’t wait for my hair to grow” is the powerful opening to this book, which lays groundwork for this compelling story highlighting not only the significance of hair to Indigenous peoples, but also memory, generational trauma, and the power of healing. Using three generations of hair as the medium, Lindstom’s sparse, poetic language (“Our ancestors say: Our hair is our memories. Our source of strength”) and Littlebird’s bright palette capture both serenity and hope. (School Library Journal)

Regina Petit’s family has always been Umpqua, and living on the Grand Ronde Tribe’s reservation is all ten-year-old Regina has ever known. But when the federal government enacts a law that says Regina’s tribe no longer exists, Regina becomes “Indian no more” overnight. Now that they’ve been forced from their homeland, Regina’s father signs the family up for the federal Indian Relocation Program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She’s never met kids of other races, and they’ve never met a real Indian, and Regina comes face to face with the viciousness of racism, personally and toward her new friends. In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis’s own tribal history, Regina must find out: Who is Regina Petit? Is she Indian, American, or both? And will she and her family ever be okay?

A picture book autobiography that tells the triumphant story of Sharice Davids, one of the first Native American women elected to Congress, and the first LGBTQ congressperson to represent Kansas. Rich, vivid illustrations by Ojibwe Woodland artist Pawis-Steckley are delivered in a graphic style that honors Indigenous people.

Indigenous dancer Ria Thundercloud tells the true story of her path to dance and how it helped her take pride in her Native American heritage. At four years old, Thundercloud was brought into the powwow circle, ready to dance in the special jingle dress her mother made for her. As she grew up, she danced with her brothers all over Indian country. Then Ria learned more styles — tap, jazz, ballet — but still loved the expressiveness of Indigenous dance. And despite feeling different as one of the only Native American kids in her school, she always knew she could turn to dance to cheer herself up.   

When bright and spirited Norvia moves from the country to the city, she has to live by one new rule: Never let anyone know you’re Ojibwe. This tender coming-of-age story thoughtfully addresses assimilation, racism, and divorce, as well as everygirl problems like first crushes, making friends, and the joys and pains of a blended family. Often funny, often heartbreaking, the story is directly inspired by the author’s family history.

The descendant of Cherokee ancestors who had been forced to walk the Trail of Tears, Wilma Mankiller experienced her own forced removal from the land she grew up on as a child. As she got older and learned more about the injustices her people had faced, she dedicated her life to instilling pride in Native heritage and reclaiming Native rights. She went on to become the first woman Principal Chief of the Cherokee Nation.

Are you Métis like me? A group of children of Métis descent share and explore all the ways they celebrate and experience their heritage — enjoying traditional foods like bannock bread and Saskatoon berries; crafting with beads; sharing stories, dance, music and songs. Each child shares a different way they enjoy honoring their backgrounds and weaving parts of the rich tapestry that makes up Métis culture. One child, though, has grown up disconnected from their history, and can’t join in with the others in the same way. But they soon see it’s never too late to learn, celebrate or become a part of a community in which Métis and non-Métis alike can discover the richness of an often-overlooked culture.

Josie dreams of dancing at next summer’s powwow. But first she needs many special things: a dress, a shawl, a cape, leggings, moccasins, and, perhaps most important of all, her spirit name. To gather all these essential pieces, she calls on her mom, her aunty, her kookum, and Grandma Greatwalker. They have the skills to prepare Josie for her powwow debut. In this Ojibwe girl’s coming-of-age story, the Native author highlights her own daughter’s experience at powwow. 

As she waits for the arrival of her new baby, a mother-to-be gathers gifts to create a sacred bundle. A white feather, cedar and sage, a stone from the river … Each addition to the bundle will offer the new baby strength and connection to tradition, family, and community. As they grow together, mother and baby will each have gifts to offer each other. Two Indigenous book creators bring beautiful words and luminous art together in a resonant celebration of the bond between mother and child.

In this vibrant tribute to Rock Your Mocs Day, observed yearly on November 15, author Laurel Goodluck (Mandan, Hidatsa, and Tsimshian) and artist Madelyn Goodnight (Chickasaw) celebrate the joy and power of wearing moccasins — and the Native pride that comes with them.

As a child of two military parents, Deb Haaland moved around a lot when she was young before finally settling in Albuquerque to be near family. But she persisted, studying hard and eventually earning a law degree. An enrolled member of the Pueblo Laguna nation, Deb was one of the first two Native American women to be elected to Congress, where she represented New Mexico’s 1st District. In 2021, when the Senate confirmed her as President Biden’s secretary of the interior, she became the first Native American in history to become a cabinet secretary. She continues to break barriers and inspire future generations to dream of greater opportunities.

Maria Tallchief loved to dance, but was told that she might need to change her Osage name to one that sounded more Russian to make it as a professional ballerina. She refused, and worked hard at dancing her best, becoming America’s first prima ballerina.